{"id":5565,"date":"2019-12-28T05:00:00","date_gmt":"2019-12-28T05:00:00","guid":{"rendered":"https:\/\/scadradio.org\/?p=5565"},"modified":"2020-01-02T15:33:07","modified_gmt":"2020-01-02T15:33:07","slug":"scad-radios-top-10-songs-of-the-decade","status":"publish","type":"post","link":"https:\/\/scadradio.org\/2019\/12\/28\/scad-radios-top-10-songs-of-the-decade\/","title":{"rendered":"SCAD Radio’s Top 10 Songs of the Decade"},"content":{"rendered":"\n

2010s- the decade many of us at SCAD Radio entered our emo phases, became music fanatics, and decided to forego our families\u2019 wishes of us becoming lawyers or doctors. But most importantly, it was the decade made stomachable by these 10 songs, voted on by our entire staff and volunteers. Go visit our other ultimate list- the best albums of the decade<\/a>, and pay attention to our 2019 best song<\/a> and album<\/a> lists.<\/p>\n\n\n\n

#10 \u201c<\/strong>Take Me to Church<\/strong><\/a>\u201d- Hozier<\/strong><\/p>\n\n\n\n

\u201cSeparation of Church and state.\u201d A phrase that\u2019s been under fire since Thomas Jefferson, up until the fight for marriage equality has engulfed the world. Hozier\u2019s political ballad isn\u2019t just a battle for gay rights, but a battle against government\u2019s praise for the crucifix long before the American Constitution was even penned. His vocals roar like he\u2019s singing in a massive cathedral, but only one in a world of equality- not religious restraints.<\/p>\n\n\n\n

#9 \u201c<\/strong>Video Games<\/strong><\/a>\u201d- Lana Del Rey<\/strong><\/p>\n\n\n\n

The alt-pop movement of this decade to the likes of Billie Eilish and Lorde can be traced back to a single launching point. The nostalgic backdrop, grainy video, and willowy textures of Lizzy Grant\u2019s alter ego exploded with this monumental single, one of the decade\u2019s first viral music videos. Say what you want about her love-it-or-hate-it Born to Die<\/em>, but \u201cVideo Games\u201d complimented every trademark of the gangster Nancy Sinatra.<\/p>\n\n\n\n

#8 \u201c<\/strong>Still Into You<\/strong><\/a>\u201d- Paramore<\/strong><\/p>\n\n\n\n

Enter Hayley Williams, an auteur of the alternative pop star brigade. Her band is one of the earliest invaders of an iPod shuffle for hits like \u201cMisery Business,\u201d and their pop punk persona continued well into the 2010\u2019s with this fruity track about as colorful as Williams\u2019 hair.<\/p>\n\n\n\n

#7 \u201c<\/strong>Formation<\/strong><\/a>\u201d- Beyonc\u00e9<\/strong><\/p>\n\n\n\n

Despite being the only Lemonade<\/em> cut off the beaten path from its dramatic narrative, the final track from the 2016 masterpiece is the dessert you\u2019ll want to eat after taking your man to Red Lobster. Those instantly recognizable beginning zigzag chords flaunt Bey\u2019s black pride anthem, oozing with lyrics ripe for an elaborate music video, a symbolic symphony of her heritage, and arguably music\u2019s finest visual component to date. <\/p>\n\n\n\n

#6 <\/em>\u201c<\/strong>High Horse<\/strong><\/a>\u201d- Kacey Musgraves<\/strong><\/p>\n\n\n\n

If John Wayne and KC & the Sunshine Band had a child, it would be Kacey Musgraves\u2019 disco-country banger. A sneer at pretentious people that\u2019s also a midwestern roadhouse\u2019s dance night necessity, \u201cHigh Horse\u201d saddles up everything that\u2019s made the Texas native\u2019s take on country a thrill, even to those with more Rihanna than Reba in their blood. <\/p>\n\n\n\n

#5 \u201c<\/strong>Somebody That I Used to Know<\/strong><\/a>\u201d- Gotye feat. Kimbra<\/strong><\/p>\n\n\n\n

Aside from the knee-slapper jab \u201cNow Gotye is just somebody that we used to know\u201d currently flooding the comment section of its radiant music video, the pair\u2019s breakup classic still holds a seismic impact, chugging well past a billion views. It\u2019s not hard to see why, from the Australian singer\u2019s subtle buildup leading into the iconic chorus. Then Kimbra emerges with an equally enticing backstory, securing the pair a deserved Record of the Year Grammy.<\/p>\n\n\n\n

#4 <\/em>\u201c<\/strong>Pompeii<\/strong><\/a>\u201d- Bastille<\/strong><\/p>\n\n\n\n

In an age of Katy Perry and Robin Thicke dominating radio, it was unusual to hear a Gregorian chant that started Bastille\u2019s swing for the charts. Yet another track immediately recalled from its opening, the world through Bastille\u2019s eyes was crashing down like the historical city of its namesake. The single erupted the charts, despite not being your typical Top 40 radio choice.<\/p>\n\n\n\n

#3 <\/em>\u201c<\/strong>Alright<\/strong><\/a>\u201d- Kendrick Lamar<\/strong><\/p>\n\n\n\n

It may be #3 on our list, but \u201cAlright\u201d is the most 2010s<\/em> track of the decade. What our elders would say about the work of the Simon and Garfunkels of their day- \u201cit\u2019s more than a song.\u201d That\u2019s what this era will say for Kendrick Lamar\u2019s fight song that became a Black Lives Matter anthem. Within the context of its album, 2015 landmark To Pimp a Butterfly<\/em>, \u201cAlright\u201d is set the morning after a drunken night in a hotel room contemplating suicide. But the simple yet powerful message was a rallying cry for social justice that dominated the latter half of the 2010s.<\/p>\n\n\n\n

#2 <\/em>\u201c<\/strong>Pumped Up Kicks<\/strong><\/a>\u201d- Foster the People<\/strong><\/p>\n\n\n\n

A clear option for all of those \u201cjumpy songs with dark lyrics\u201d lists for the Buzzfeeds of the internet, Foster the People\u2019s breakthrough is another track written by the headlines. This list has made it obvious we hold a liking for songs that tell of our age, and this epic that\u2019s aged too well is an easy pick for the present\u2019s musical time capsule.<\/p>\n\n\n\n

#1 <\/em>\u201c<\/strong>Do I Wanna Know?<\/strong><\/a>\u201d- Arctic Monkeys<\/strong><\/p>\n\n\n\n

Whether you first heard it from a Bacardi commercial<\/a> or that hipster girl at school who showed you all the bands that\u2019d eventually cram your playlist, \u201cDo I Wanna Know?\u201d brought Alex Turner\u2019s crew higher than anyone labeled as \u201cindie\u201d could dream of. Unlike the \u2018Creep by Radioheads\u2019 of the world, it catered to the band\u2019s core fans as well as that group of listeners who aren\u2019t as cultured as you<\/em> are. <\/p>\n","protected":false},"excerpt":{"rendered":"

2010s- the decade many of us at SCAD Radio entered our emo phases, became music fanatics, and decided to forego our families\u2019 wishes of us becoming lawyers or doctors. But most importantly, it was the decade made stomachable by these 10 songs, voted on by our entire staff and volunteers. Go visit our other ultimate […]<\/p>\n","protected":false},"author":62,"featured_media":5567,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[265,530,657],"tags":[856,548,631,858,854,857,715,572,636,632,449,576,129,634,402],"yoast_head":"\nSCAD Radio's Top 10 Songs of the Decade - SCAD Radio<\/title>\n<meta name=\"description\" content=\"The 2010s are just about over, but not after a decade loaded with tremendous music. 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