{"id":6176,"date":"2021-04-19T13:10:06","date_gmt":"2021-04-19T13:10:06","guid":{"rendered":"https:\/\/scadradio.org\/?p=6176"},"modified":"2021-04-19T13:10:10","modified_gmt":"2021-04-19T13:10:10","slug":"chad-vangaalens-new-release-is-equal-parts-psychedelic-and-philosophical","status":"publish","type":"post","link":"https:\/\/scadradio.org\/2021\/04\/19\/chad-vangaalens-new-release-is-equal-parts-psychedelic-and-philosophical\/","title":{"rendered":"Chad VanGaalen’s New Release Is Equal Parts Psychedelic and Philosophical"},"content":{"rendered":"\n

Chad VanGaalen does it all–not only does he create his music completely on his own, but he also illustrates the artwork for his albums and <\/em>animates his own music videos. He\u2019s one of those rare people where all of his talents all seem to match up, allowing for him to put forth an artistic vision that\u2019s truly all his own. His latest album World\u2019s Most Stressed Out Gardener<\/em> is no exception to this rule.\u00a0<\/p>\n\n\n\n

In keeping with the VanGaalen style, there\u2019s a goofy sense of humor that permeates the entire album. Yet this project also seems to be his most wistful and melancholic record to date. Earlier efforts such as Diaper Island <\/em>lean more into the comedic aspect of his oeuvre, and his previous record, Light Information <\/em>tackled the almost psychedelic overtones and distortion that anxiety brings to the experience that is life. Stressed Out Gardner <\/em>approaches these existential topics at a greater, more detached distance. Some songs, such as \u201cFlute Peace\u201d and \u201cEarth from a Distance\u201d serve as reminders that the world exists at a broader scope than our own internal struggles, bucking against the relationship of the singer-songwriter narrative<\/a>.\u00a0<\/p>\n\n\n\n

Other songs bring us into the tiny inner worlds of characters. \u201cSamurai Sword\u201d pairs humorous, offbeat lyrics with a charmingly homey instrumental and a painstakingly animated music video<\/a>. The specificity of the lyrics paints mental pictures for the listener–the opening lines of the album, \u201cShe wanted the sculpture to represent good living\/ but it\u2019s tempered by emotion and nausea\u201d, depict something that really stretches the imagination. \u201cWhere Is It All Going?\u201d is reminiscent of the Gauguin painting Where Do We Come From? What Are We? Where Are We Going?<\/a><\/em> with its dreamy musings and languidly relaxed melody. There\u2019s a fantastical believability to this exquisitely constructed world.\u00a0<\/p>\n\n\n\n

\"\"
Paul Gauguin,\u00a0Where do we come from? What are we? Where are we going?<\/em>, 1897-98, oil on canvas, 139.1 x 374.6 cm
(Museum of Fine Arts, Boston)<\/figcaption><\/figure>\n\n\n\n

The careful attention to detail is not limited to the lyrics on this album–Vangaalen seems to be a collector of sounds. The aforementioned \u201cSamurai Sword\u201d starts with a beat played on copper pipes<\/a>. \u201cNothing Is Strange\u201d conjures a strange, cobbled together marching band to fill out its sound. Vocal effects play a heavy role in making up the sound of the album as well, and there\u2019s a strong affinity towards droning melodies, further connecting World\u2019s Most Stressed Out Gardner <\/em>with a sense of spirituality.\u00a0\u00a0<\/p>\n\n\n\n

The contrast between the expansive inner world of an individual and the vast universe outside of us highlights the surreality that is existing. Rather than trying to freak the listener out, VanGaalen implores for us to accept these facts and perhaps learn to marvel at them rather than engage in crippling existential dread. It seems as though the global pandemic has brought concerns about the pace of modern life to the forefront of Vangaalen\u2019s mind, as it has done for many. It has become unbearably apparent that each day so easily blends together without a concerted effort to distinguish one from the next through action. And, although quarantine has made this more obvious, it was easy to fall into this even before our lives were upended.\u00a0
<\/p>\n\n\n\n

World\u2019s Most Stressed Out Gardner <\/em>offers a mix of contemporary and timeless observations. Even in Chad VanGaalen\u2019s discography, it fits in, yet brings distinct and fresh elements to the table. The complex artistic vision put forth on this project is a privilege to experience. It\u2019s absolutely wonderful to listen to an album with such a distinct philosophy and distinguished thought behind it that doesn\u2019t fall into the trap of stuffy self-importance.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chad VanGaalen does it all–not only does he create his music completely on his own, but he also illustrates the artwork for his albums and animates his own music videos. He\u2019s one of those rare people where all of his talents all seem to match up, allowing for him to put forth an artistic vision […]<\/p>\n","protected":false},"author":64,"featured_media":6178,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[265,530,32],"tags":[1093,477,1095,1096,1094,1097],"yoast_head":"\nChad VanGaalen's New Release Is Equal Parts Psychedelic and Philosophical - SCAD Radio<\/title>\n<meta name=\"description\" content=\"Chad VanGaalen seems to have been bust during quarantine--his new release is expansive in idea and sound quality. 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